Author: Custom Essay

The text I choose is the story called “the necklace”

Instruction:
Creative Project

Step One: Choose the Creative Path OR the Research Path
Step Two: Follow the Directions. Remember that you will be doing both a project and a supplement no matter which path you choose.
Step Three: Submit the Assignments Correctly.

A. A. The CREATIVE PATH

The project:

This option is meant to hone your creative skills as well as your interpretive powers. You may choose from the following ideas or propose another option. Whatever you choose, your project must deal with one of the texts from our syllabus. You may choose any assigned text from Units 1 through to our current unit.
Your project should reflect your understanding/interpretation of the text and should work to help us better understand it. There is no page requirement. Obviously, a haiku wouldn’t be long, but it is challenging.

Ideas:

• A recreation—This is a response to a text that requires you to essentially make it new by writing something like a prequel, a sequel, telling it from another point of view, change the time period (think Jane Austen’s Emma and Clueless), and so on. There are a lot of possibilities. What it must be is true to the original by being consistent with it.

• An adaptation—You may change the form of your text. For example, you may change fiction into a poem, a song, play, or film treatment.

• Film concept—You may translate your choice into a film treatment. You could write a description of what your film would be like (who you would cast, what mood you want, who might direct it, what themes you would pull out, what music you would use, what the set design might be like, etc.). You could focus on a scene or two or the work as a whole. You could even present this on powerpoint if you prefer to add visual elements. If you like visual art you could create the movie poster.

• An imitation or parody— First analyze the original by breaking it down into its main characteristics. Decide what you want to save. You can imitate style or play with concept.

•  A visual arts response—You could create an art project that reflects themes, or illustrates a text. People have done paintings, sculpture, collage, garments, sketches, etc. In this case, it would need to be digital or be able to be presented that way. Powerpoints may work, digital photos, etc. This option is dependent a bit upon your technological expertise. I am not responsible for getting this to me in a usable form: you are.

• Other options? Let your creativity go. Just be sure that it interacts with the text and helps us to appreciate it.

Supplement:
You must include a supplement that discusses how you put together your project. Take us “behind the scenes.” Why did you choose the piece? What inspired you to create your project? How did you go about it? What were your goals? What did you hope to accomplish, illustrate, demonstrate? If you think it may be unclear, be sure to demonstrate how the piece is connected to the original.
This is your chance to clarify and showcase your work. This supplement should be a separate short essay of about 1 to 2 pages. Please understand that the supplement must have substance. It is an important component of your grade.

Presentation:
You turn in the assignment and supplement to me as an attachment to Assignments.

A. B. The Research Path

The project:
This option requires you to write a traditional 3-4 page (plus Work(s) Cited) short paper. You must include a Works Cited even if you do not cite outside sources because you will need to properly cite the primary text. This option is meant to be an opportunity to hone your skills as a scholar, academic writer, and literary critic.
Choose one of the texts from the syllabus, preferably one that we have already read. You will need to develop a thesis (a claim about the meaning or significance of the text or a claim about the relationship between the text and a historical, cultural, or philosophical element. Remember that the main focus needs to be the text in question. What do you want to say about the text?
The topic is open. The only restrictions are:
•  Your primary text must be selected from our syllabus. It must be on the reading list (Units 1-to the present unit).
• You may do some biographical, cultural, or contextual research but you must clearly tie this information to the story in question. You need to incorporate it into your interpretation and/or work through what makes that information important to our understanding of the story.
• You may not write a paper that is essentially an “encyclopedia-style” report of information. This needs to be an interpretation paper.
• Do not write a plot summary. I want analysis. Do not write an evaluation. I am not looking for a review of the text. There are sections in your anthology devoted to writing about literature. Consult them.

You must support your claims with evidence from the primary text. If necessary, you may also bring in secondary sources found through research. All texts must be properly quoted and cited using current MLA style.

About sources:
If you bring in outside sources, you need to be sure that they are solid: reputable and accurate. In light of this, Wikipedia is not an acceptable source. Nor are various “free essay” sites. If you cannot tell where the material came from or what credentials are behind it, find a different source.

Supplement:
This is relatively short document that should explain your interests and process. Take us ‘behind the scenes” of your research paper. What drew you to the work? Why did you choose it? What led you to your thesis? Did you find anything particularly interesting during research? What would you like to clarify for us? This is basically your chance to clarify any points and to showcase your critical analysis.
Because your paper should be pretty clear, I don’t expect this to be as detailed as a supplement for the creative project. It should still demonstrate thought and care. Aim for a half page to a full page.
Remember that the supplement is still an important part of your assignment.

Presentation:
You turn in the assignment and supplement to me as an attachment to Assignments.

Quite a bit has been written online over the past decade about possible health risks of childhood vaccinations. This message has moved some parents to avoid having their children vaccinated. To introduce this discussion topic I would like you to listen to this recent episode of the Diane Rehm show from National Public Radio on childhood vaccination. Link: http://thedianerehmshow.org/shows/2014-07-03/ongoing-efforts-vaccinate-children-against-polio-measles-and-other-deadly-diseases
It is an hour-long show, so be sure to carve out the time to listen. Then use online resources to investigate the following questions:

What is the argument against childhood vaccinations?
What types of sources do you find claiming that childhood vaccinations are dangerous? Do you consider these to be quality science sources? Why or why not?
What does science have to say about this question? Is there good data to show whether children benefit or suffer from vaccination? What are good sources for this information?
The HPV vaccine is relatively recent and is recommended by the Centers for Disease control Link: http://www.cdc.gov/hpv/vaccine.html. all girls and boys at age 11 or 12 to prevent cervical and penile cancer. There has been some debate at the state level whether HPV vaccine should be recommended for children. Look into this question and be prepared to discuss the risks and benefits of this vaccine.

My business plan is about finding a parking in anywhere. All of the instruction will be uploaded make it creative and perfect. Mention how i will gain a profit from it
Also make a logo and unique sentence

Please only upload your answers, not the questions. Label your answers (Essay #1, Essay #2, etc.)

Part II: Short Answer Essays (30 points) Instructions: You should answer ALL PARTS of each essay question, as there are multiple questions within each essay. You should also use SPECIFIC EXAMPLES throughout your essay. If you cite information from the textbook, any of the readings, any of the videos, or any website, you should include a citation. Each answer should be at least 1-2 paragraphs (5-7 sentences per paragraph). Anytime that you are asked to give examples, you want to EXPLAIN your examples, do not just list them.Each essay is worth 10 points. Essays that score well will answer ALL parts of each question. They will include specific examples to help support their answers. They will also use examples from the readings and the textbook.

Please pick 3 essay questions to answer.

1. What are some of the long-term causes of the American Civil War (1800s-1850s)? Please give at least 2 examples. What are some of the short-term causes of the American Civil War (1850s-1861)? Please give at least 3 examples. What advantages did the North and South have entering into the war? Give 2 examples. What role did American Indians play in the Civil War? What role did African Americans play in the Civil War? What role did Union women play in the Civil War? What role did confederate women play in the Civil War? What are the lasting legacies of the Civil War? Give and explain at least 3 examples to justify your answer.

2. What were 2 significant goals of the Reconstruction period? Explain why they were significant. In what way did the executive branch (under Lincoln and Johnson) and Congress differ in their visions of how the United States should be reconstructed after the Civil War? What are the “Reconstruction Amendments,” and why are they significant? What were the experiences of freedmen after the Civil War? What kinds of black codes were instituted after the Civil War and what was their purpose? What is sharecropping, and what kind of an impact did it have on freedmen? Was Reconstruction a success or failure? Give at least 3 examples to justify your answer.

3. What impact did this new industrial society have on the West? Give and explain at least 2 examples. What was the Dawes Act, and how did it impact American Indians? What factors contributed to the United States becoming a mature industrial society after the Civil War? Give and explain 2 examples. What was the “People’s Party” and what are two important aspects of their political party platform? What characteristics define the “Gilded Age” in the industrial North? Give at least 3 examples. It what ways did the Andrew Carnegie and John D. Rockefeller contribute to the Gilded Age culture? What are trusts and/or monopolies? What are the lasting consequences of the Gilded Age? Please give at least 3 examples.

4. In what ways did the lives of disenfranchised Americans, specifically African Americans, women, and American Indians, change from 1840 to 1900? For each group, you need to explain 3 significant events or moments from 1840 to 1900 that altered the status of that group, and explain why each event was significant to changing their lives. At the beginning of the 20th century (e.g. the 1900s), what major problems were still of concern for each of these disenfranchised groups (meaning, what problems existed that made them into second-class citizens)? Give at least 2 concerns for each group.

The final research paper I will mainly focused on the Japanese artist Yoko Ono’s works. Especially, the periods of early 1960s till 1970s when she actives in New York City and Europe. First of all, I will briefly introduce Yoko Ono’s background and early life in Japan, how she became an artist and starts her career( simply intro 3 arts work, and detail describe 1 art work(very important)). Second, I would describe her relationship with John Lennon, the singer and songwriter of the most famous band The Beatles in the world. How this relationship affects Yoko Ono’s works and the works that they create together(also simply list 5 art works, detail write one art work such as Bed in Peace(very important)). In the End, I may write about the connection between MoMa and Yoko Ono since she had engagement with MoMa dates to her arrival onto the New York art scene in the late 1950s and early 1960s.(list 3 art works, then detail write one display in the Yoko Ono: One Woman Show 1960-1971 at The MoMa (very important))

sources:
1:Biesenbach, Klaus, and Yōko Ono. Yoko Ono: One Woman Show, 1960 – 1971. New York: Museum of Modern Art, 2015. Print.

2:Yes Yoko Ono, Alexandra Munroe;Yōko Ono; Jon Hendricks; Bruce Altshuler
New York : Japan Society ; Harry N. Abrams;2000

3:All we are saying : the last major interview with John Lennon and Yoko Ono
John Lennon 1940-1980.;Yōko Ono; David Sheff; G Golson
New York : St. Martin’s Griffin;2000

OTHER: Hello, The writer should revise the following: 1- If you find the term “Society System” any where within the essay, Please change it to the term “Security System”. 2- Change any word or term that you feel it is high level difficult academic word. For example, the sentence “Guidance of its properties” must to be change. Remember, this essay is 1-2 years college level essay so you shouldn’t use difficult words and terms. 3- Each source in the Reference page should start with Author’s Surname, name, etc. You should follow the APA style. I will upload pictures that includes my professor comments. Make sure to go over them.

1. You must have a clear and specific thesis, stated early in your paper, preferably in the first or second paragraph. This thesis should be argumentative and should not be observational. The difference between these two types of thesis may be represented by the following examples:
Observational Thesis: “William Wells Brown’s Clotelle, Paul Laurence Dunbar’s ‘We Wear the Mask’ and W.E.B. Du Bois’ The Souls of Black Folk all provide examples of the double.” This is observational because it is obvious, and because it merely makes a statement about (i.e., it only describes) what all the texts have in common. “The double” is the object of the thesis sentence and not the subject.
Argumentative Thesis: “‘The double’ as found in William Wells Brown’s Clotelle, Paul Laurence Dunbar’s ‘We Wear the Mask’ and W.E.B. Du Bois’ The Souls of Black Folk represents the cultural predicament faced by African Americans during Reconstruction.” This is argumentative because it takes an observation (that all these texts share the figure of the double) and uses it to make an argument (i.e., a point which goes beyond the descriptive) about how that observation relates back to all the texts. “The double” is the subject of the thesis sentence (i.e., it has a verb which follows it) and not the object. An argumentative thesis takes an observational thesis to the next level. A good way to change an observation to an argument is to look at an observation and ask, “and so?” or “so what’s my point?” The best argumentative theses are the most specific: they use very specific similarities between texts as their observations, and make arguments on the basis of them.
Do not leave your thesis until the final paragraph. If you write your paper in one take, at one sitting, often you will only realize what your paper’s overall point is at the very end of your paper. I strongly recommend that you do not turn in a paper which looks like this. This means that you may have to revise your paper at least once before turning it in. If you do arrive at a thesis only at the end of your paper, a good way to fix this is to take the conclusions from your final paragraphs and apply them to your opening paragraphs, and then make sure each of your paper’s paragraphs make reference to these conclusions in turn.
2. You should refer to your thesis in each paragraph, preferably at both the beginning and end of each paragraph. Each paragraph should have what some teachers call a “topic sentence” – some sentence, usually at the beginning of a paragraph, which states that paragraph’s main point, or the point which makes that paragraph’s discussion different from every other paragraph’s discussion. But each paragraph should also have a “thesis-connecting sentence” – a sentence which connects that paragraph back to your whole paper’s main overall point, and ties each paragraph into your whole paper’s overall thesis. Each paragraph should have its own mini-discussion, of course, but each paragraph should also have some relationship to your overall argument, and you should make that relationship clear.
3. Each paragraph should include at least one quotation from your text(s). Every paragraph needs a point, and every point needs proof. The best kind of proof – the best kind of evidence that what you’re claiming is the case is, at least in your paper, actually the case – is a direct quotation from the text. Thus, every paragraph should have a quotation. Your quotations must be properly cited, complete with page numbers. They must also be incorporated and not unincorporated:
Unincorporated quotation: Frances E.W. Harper illustrates how slaves were able to transmit information under their masters’ very noses. “In conveying the tidings of war, if they wished to announce a victory of the Union army, they said the butter was fresh, or that the fish and eggs were in good condition.” (Iola Leroy, 9) These two sentences are totally separate (i.e., unincorporated) and the quotation exists as an isolated sentence with no source, dropped in like a sound bite.
Incorporated quotation: Frances E.W. Harper illustrates how slaves were able to transmit information under their masters’ very noses. “In conveying the tidings of war,” Harper writes, “if they wished to announce a victory of the Union army, they said the butter was fresh, or that the fish and eggs were in good condition.” (Iola Leroy, 9) The quotation is broken up by a clear indicator of its source, and it is made into a full sentence (i.e., incorporated) of its own.
Any paper which does not include regular quotations (preferably one per paragraph) will not receive a very good grade. Any paper which includes no quotations whatsoever will not receive a passing grade.
4. Your paragraphs should be of reasonable length. There is of course no universal rule governing the length of the “perfect” paragraph, nor should there be: there is an art to writing, whether it be poetry or English papers. But some general customs do apply: anything consisting of three sentences or less is too short, and anything which fills over half a full page in size is too long. Paragraphs, like papers, make their arguments in steps, and if in each paragraph you have a topic sentence, a quotation, and a thesis-connecting sentence, then you already have three sentences – and you haven’t even discussed anything yet. (If you come from a business-writing background – used to writing in bullet points or other very short, digestible “thought bites” – this may be a particularly important guideline to remember.) Conversely, if you have a paragraph which goes on for over a full page or more, then you clearly don’t have only one main point which that paragraph is trying to convey, and you’re trying to do too much. (If you tend to write your papers in one take, very quickly, or at the last minute – used to throwing all of your thoughts down in a rush with little attention to your overall paragraph structure – this may be a particularly important guideline to remember.) Paragraphs are the main argumentative unit of an English paper; a paragraph is to a paper what a sentence is to a paragraph, and, just as with sentences, there are “fragment” paragraphs as well as “run-on” paragraphs. You should avoid both.
5. Ground your paper in the text(s). Most of your paragraphs should be directly concerned with authors, plots, characters, themes, symbols, conflicts, and other literary things, and not in the abstractions which surround them: “society,” “history,” “culture,” and so on. This means avoiding what I call “Since the Dawn of Time Stories” – papers which attempt to account for all of human history in their argumentative sweep. Do not attempt, for example, to write about “all” of slavery, “all” of American history, or even “slaves” in general; instead, you should write about specific authors and their texts. Sentences, paragraphs, and papers should begin with and regularly return to authors, characters, etc., as their subjects. Instead of saying, for example, “African Americans have always resisted racial oppression,” you should say, for example, “The authors Brown, Dunbar, and Harper all show a variety of ways in which African Americans resisted racial oppression.” This may seem like a subtle difference, but it’s a crucial one. You should, of course, remember that neither you nor your authors are writing in a vacuum, but a good English paper is all about the literature.
6. Try to achieve a reasonable degree of balance between the different texts you discuss. While it’s often difficult to devote exactly equal time and space to each of your required texts, you do want to shoot for a paper which is not terribly unbalanced – three pages of a five-page paper devoted to one text and half a page for each remaining text, for example, is not a good balance. A good paper distributes its discussions of all its texts as evenly as possible across all its pages.
7. Don’t be afraid to have an opinion, but phrase your opinions in terms of analyses of the text(s). While I don’t forbid using the first-person singular pronoun “I” in papers, I do think it’s largely unnecessary: I will know it’s you making your points, and often “I” statements lessen the impact of a good solid analysis. Don’t feel the need to qualify your opinions by saying “I think that,” “I feel that,” “it seems as if,” or other similar phrases. A good rule of thumb is to go through each paper and look for moments where you tend to apologize for having your own opinion, and delete the phrases that precede your actual point. Act as if you’re right, and your argument will usually be better off. (the essay should be writing about Gorilla, My love)

Like most methods and concepts, there is a primitive and relatively useless way to use the VALUE CHAIN, and there are more sophisticated ways to use the method/concept. The primitive way is to merely LIST AND DESCRIBE some value creating activities of a firm in each of the little boxes of the value chain concept. DISCUSS WHAT ARE SOME WAYS TO ADD VALUE TO THE VALUE CHAIN METHOD/CONCEPT. In other words, how can you make the VALUE CHAIN concept/method worth applying to a case?

Quiz #3

30.1 (three paragraphs, at 5 sentences each) Summarize some of the key stylistic traits of French Rococo art and architecture, and explain how these traits relate to the social context of salon life. Then analyze one Rococo work from the chapter and explain how it is typical of the period style.

30.4 ( one paragraph, at least 5 sentences) Discuss the relationship of the Enlightenment interest in archaeology with the new movement of Neoclassicalism in the eighteenth century.

31.3 (minimum one paragraph, at least 5 sentences) Discuss Gustave Courbet’s Realism in works such as The Stone Breakers (FIG. 31-12) and A Burial at Ornans (FIG.31-13) in relation to the social and political issues of mid-century France.

As discussed in class a few times, one of the unfortunate aspects of accounting and business is that sometimes things go wrong or people commit fraud. For this project, your assignment is to write a report on one of three prominent accounting/business failures over the recent past.

Specifically, you should:

1. Select one of the three cases listed below

2. Do some research and find out as much as you can about the case.

3. Write a 3-page, double-spaced report and submit it through Canvas at the end of the day on July 31.

Make sure you find out as much information about your company, topic, or individual as you can. Tell what the circumstances were, how the scandal was discovered, why the legislation was needed, tell any interesting facts that will bring the story to life. Who are the players? Do you think the outcome fit the crime or circumstances? Do you think the right people were brought to punishment? Did the legislation work? Were you able to find red flags that might have preceded the unethical behavior? What are the lasting implications of this situation. Who was hurt by the unethical behavior? Have fun with this and make it interesting!

The paper should be at least 3 pages, double-spaced in length. You will need to cite your sources (at least three) and you can format this any way you would like. You will submit your paper through Canvas.

Here are the choices you can choose from for your paper:

The end of Lehman Brothers

This paper is due on Tuesday, July 31 at 10:00 pm. There will be a significant penalty for late papers!!!